I think that in movies you have a lot of room to play with—it’s quite a young medium. I’ve studied experimental films, especially American ones. And they have—their existence is about breaking the rules. When I went back to Thailand, it’s a country full of storytelling. So I’ve been trying to mix these two together. The American way of destroying conventions, and at the same time integrating this kind of storytelling, these rhythms that I love. Growing up with these tales—some people say it’s experimental narrative. Some say it’s simply narrative.